Technicolor’s Mill Film recruiting globally for Adelaide studio

Technicolor’s Mill Film Adelaide studio is drawing on local and international talent to build its workforce which is expected to grow to 300 employees by the end of 2019.

The visual effects studio, comprised today of 140 employees including management and operations, is working from a temporary space in Adelaide’s west, and is anticipating a move into its permanent home within the CBD Myer centre by mid-June.

In 2018, Technicolor and its brands – MPC, MR. X, Mikros and Mill Film – worked on 40-plus titles for major studios including A Wrinkle in Time, Predator, The Nutcracker and the Four Realms, The New Mutants and 14 episodic projects from Mr. X including new seasons of American Gods, Carnival Rows, Narcos, A Series of Unfortunate Events and Vikings. This is in addition to its film credits related to Jungle Book, Wonder Woman and The Shape of Water.

Mill Film specifically, is focused on providing world-class visual effects for feature film and episodic production markets for major studios and streaming services. The Adelaide studio is expected to grow to 500 employees over five years.

Mill Film Adelaide’s managing director Mark Thorley says the studio is currently actively recruiting for a variety of positions in areas of animation, lighting and environment. The hiring will be a combination of established professionals in the market as well as emerging talent coming out of universities through Technicolor’s Academy.

Mill Film Adelaide’s managing director Mark Thorley.

Mark confirms that the academy has already taken on 40 graduate positions, with a second intake for the one-year paid learning and development program now under way.

“It’s pretty unique from an Australian perspective,” he says. “We pay these individuals from day one and then bring them on the floor once they’ve graduated.”

Mark moved to SA from Queensland to take up his position and says Adelaide’s lifestyle strengths played a part in the company choosing the southern state to expand the brand.

“It’s a great city, in an amazing part of the world, offering the combination of great talent and lifestyle,” he says. “Adelaide is Australia’s best kept secret. We’re thrilled to be here and business is off to a great start. I am incredibly proud of the great work we are doing and can’t wait for the final product to reach audiences everywhere.”

The announcement that Adelaide would welcome a Mill Film studio came in 2018 and was received as a game-changer by the state’s creative industries. The former Labor government also announced its backing of the project with $6 million from the Economic Investment Fund. More than a year later, Mill Film Adelaide has secured its first 12 months’ worth of work.

Mill Film is currently working on Dora The Explorer, an adaption of the popular animation series, and will announce further projects in late 2019, early 2020.

Dora The Explorer is in cinemas from August 2.

“Technicolor is always looking for locations that can offer a new talent pool of skilled VFX artists and therefore we started talking to several state governments before deciding to settle in SA,” Nathan says.

“In addition to (state and federal Post Production, Digital and Visual Effects) rebates, Adelaide offered an opportunity for expansion because of its pool of proven creative talent, access to universities to develop and nurture talent, and the infrastructure already in place for such high-end projects, inclusive of internet infrastructure to allow us to move large amounts of data around,” Nathan says.

“This combined with the lifestyle and quality of life in Adelaide makes it the perfect environment for fostering creativity.”

Nathan Wappet, Technicolor Production Services COO, says the industry is currently experiencing one of its biggest shifts, brought on by an unprecedented demand for content.

“The shift is so massive, it’s changed the definition of what a studio is, with new entrants Netflix, Hulu, Apple, and Amazon Studios setting the bar, and traditional studios announcing their own content distribution platforms,” he says.

“These changes are blurring the line between feature and episodic; short and long form, to the point where quality expectations and production values are the same for all content creators, regardless of distribution platform.

“In the midst of this shift, Technicolor, and its brands are in an unparalleled position to deliver on clients’ and project needs without compromising quality by optimising picture, sound, and visual effects services.”

A scene from ‘Gladiator’ for which Mill Film won an Oscar for visual effects.

Technicolor’s presence in SA is a boost to not only jobs in the state, but the overall local VFX industry, which already home to large VFX house Rising Sun Pictures as well as boutique studio Resin, both of which have an international reach.

Nathan says existing VFX businesses in Adelaide will benefit from Technicolor entering the market as the company often needs to outsource some of its VFX and animation work.

“These studios would be the most likely beneficiaries of any local outsourcing as well as the training and growth of a local artist and technology talent pool. It is a winning proposition for all players,” he says.

Mill Film is anticipating on being a VFX, animation and content production of excellence with hopes of mirroring the success of Technicolor’s MPC Film Montreal studio which grew to more than 1000 people in 2018.

Mill Film’s global managing director Lauren McCallum has a vision for Mill Film to be the most inclusive tier-1 studio in the world, putting talent first and embracing diversity in its work.

“Adelaide helps us achieve this by allowing us to tap in to a talent pool we wouldn’t otherwise have been able to – opening up new pathways in to the industry for even more diverse creatives,” she says.

“The demand for visual effects content has exploded in recent years and we don’t anticipate this will slow down.”

Industry in focus: Creative Industries

Throughout the month of March, the state’s creative industries will be explored as part of I Choose SA.

South Australia is home to a thriving ecosystem of creative businesses and specialists who are delivering world-class works VFX, TV and film production, app development and the VR space. Read more creative industries stories here.

Visit I Choose SA to meet the people building business and industry in SA, and to find out how your choices make a difference to our state.

[logooos_saved id=”13411″]

[logooos_saved id=”36524″]

Advertisement

VFX studio Resin reaching new heights as projects soar

Post production rebates, revolutionary high-speed internet networks, and a growing reputation for world class visual effects (VFX) work are just some factors Adelaide studio Resin says is boosting business.

The opportunity to grow at the small VFX studio specialising in long-form series and feature film VFX has prompted the Adelaide born and based Resin to branch out and open offices interstate.

At the end of 2018, Resin expanded with a new business partner to open studios in Melbourne and Brisbane, a huge feat for the relatively small business and its 14 staff and portfolio including the 2019 Storm Boy, Electric Dreams, Red Dog and Netflix series Tidelands.

The business’s founders, VFX supervisor Grant Lovering and VFX producer Lincoln Wogan, say Adelaide is a great location to co-ordinate production between the teams Resin is building in the other studios.

“The expansion opens up access to more projects coming into Australia and will enable more face time with less travel to be with our clients in those locations,” Grant says.

Resin was the primary VFX vendor for the beloved Storm Boy remake, creating a digital double of the famous pelican Mr Percival, along with ocean and storm VFX.

Resin’s VFX producer Lincoln Wogan, left, and VFX supervisor Grant Lovering are Brand South Australia’s latest I Choose SA ambassadors. Photo by JKTP.

“Virtually anything you see on TV, in a series or on film, will have VFX in it,” Lincoln says. “Sometimes it’s as simple as they’ve shot at a particular location and all the signage needs to be removed, to changing a half-built location in a studio set to a dense jungle.

“Sometimes it’s simulating something too dangerous to do practically, but the most common requirement is to fill in the gaps to make the audience believe what is presented to them on screen no matter how unbelievable that may be.”

Despite Resin’s work ending up on small screens and cinemas nationally and worldwide, the business’s founders say Adelaide will remain as the headquarters.

“Fortunately the opportunity to do this work from any location means we don’t need to relocate to Los Angeles,” Lincoln says. “Regular visits make me appreciate Adelaide’s five minute commute to the studio.”

VFX supervisor Grant agrees, adding that the rollout of the city’s Ten Gigabit ultra-fast fibre optic network has been a tremendous benefit, however, it’s the state’s sound training facilities and VFX education courses training the next generation of VFX professionals that is helping grow VFX as an industry in Adelaide.

“For the younger generation that’s coming through now, there are heaps of good (VFX and post production) courses available in SA through our universities and private education institutions,” he says.

“We have great training facilities all around us and we have brilliant physical infrastructure that allows us to compete internationally.”

A shot from TV series Electric Dreams (Sony Studios).

SA’s Post Production, Digital and Visual Effects (PDV) rebate is also making Adelaide an attractive place for large budget international productions.

The offset sees companies receive a 10% rebate on their SA expenditure. Combined with the Federal Government’s PDV offset of 30%, international films can apply for a total combined 40% rebate on expenditure on post production, digital and VFX works on eligible projects.

Resin was born in 2006, with Grant and Lincoln partnering to create a post-production and VFX studio specialising in television advertisements. The work was consistently flowing and in 2010 Resin began working internationally for clients including Disney and Braun over a two to three year period.

Despite the distance between SA, the US and Europe, Resin continued effortlessly to base itself in Adelaide and complete all works from its small studio with about 17 staff at its peak.

But due to an economic downturn in the US and with the Aussie dollar soaring, international work for Resin began to contract and so the business focused itself on more local projects.

Resin’s Lincoln Wogan, left, and Grant Lovering, with the digital double of Storm Boy’s famous pelican Mr Percival.  Photo by JKTP.

By 2015, Resin had completed a few TV and film projects, including film Red Dog, when it became the sole VFX vendor for US series Hunters, with executive producer Gale Anne Hurd of The Walking Dead and Terminator franchises.

“At the end of that project we came away knowing this was our future … we pieced together that production in advertising wasn’t a growing market, shifts were happening,” Grant says.

“We were in the emergence of Netflix and all the other streamers as well so it was quite a good opportunity in the marketplace.”

With an increase in streamed content creating a demand for long-form VFX work, Resin changed its focus to rely solely on TV and film work, joining Ausfilm and focusing itself in LA. That focus led to the opportunity to work on Sony TV series Electric Dreams, an anthology of stories from Philip K Dick (Bladerunner). Resin travelled to Chicago and completed on-set supervision and VFX on two episodes, while also working on The Tick (Sony) and Queen of the South (Fox).

Growth at Resin has been on a healthy upward climb over the past three years. Grant and Lincoln say they are preparing for work to “explode”.

“We’ll need to make a decision about how much we want to grow in the next 12 months with some great projects lining up, it’s that significant,” Grant says.

Grant Lovering and Lincoln Wogan are Brand South Australia’s latest I Choose SA ambassadors for creative industries.

Industry in focus: Creative Industries

Throughout the month of March, the state’s creative industries will be explored as part of I Choose SA.

South Australia is home to a thriving ecosystem of creative businesses and specialists who are delivering world-class works VFX, TV and film production, app development and the VR space. Read more creative industries stories here.

Visit I Choose SA to meet the people building business and industry in SA, and to find out how your choices make a difference to our state.

[logooos_saved id=”13411″]

[logooos_saved id=”36524″]

Global impacts of SA’s creative industries

With our culture of collaboration, supportive start-up environment, and technology infrastructure, South Australia is home to world-leading businesses and top talents working on creative projects seen worldwide.

Creative agency KOJO, VFX studios Resin and Rising Sun, and virtual reality studio Jumpgate VR are just a few examples of SA-based businesses having global impacts and servicing the world of storytelling, film and TV, VFX and VR right here in Adelaide.

Throughout the month of March, Brand South Australia will explore the state’s creative industries as part of the successful I Choose SA campaign, discovering key industry leaders and businesses just like those above who are contributing to our economy and pushing our burgeoning creative industries forward.

Here at Brand SA News we’ll bring you the stories of creative technology businesses and industry leaders who have chosen SA as a base, are able to deliver projects for global clients, and are excelling in their fields.

First off, we’ll bring you the story of a film and TV industry veteran, experienced sound editor and designer, James Currie, who has built a 40-year career and brought you the sounds of Red Dog, The Tracker, and Wolf Creek, among a long list of other classic Aussie films.

We’ll also bring you an update on one of the most anticipated creative industry developments, the establishment of global entertainment giant Technicolor’s SA venture, Mill Film, set to create a dynamic pool of new talent and works on leading productions. The $26 million VFX studio will be located at the Myer Centre in Adelaide’s CBD and is expected to create up to 500 specialist jobs in the long term. Its focus will be on film VFX for major studios and streaming services.

We’ll introduce you to three I Choose SA ambassadors working in creative industries. They are talented South Australians who will share their experiences, explain why they choose SA and why Adelaide is the best place for them to pursue their careers. The first is duo Grant Lovering and Lincoln Wogan from film and TV VFX studio Resin, whose recent works include delivering VFX for the 2019 re-imagination of Storm Boy, a beloved tale first told through the 1964 Colin Thiele novel.

Our second I Choose SA ambassador is Anton Andreacchio who is behind Jumpgate VR and sister company Convergen and has worked on VR programs for the AFL and what is believed to be a world-first VR symphony with the Adelaide orchestra back in 2015.

Throughout our exploration of SA’s creative industries it will become clear why the state is home to the burgeoning sector. Already we know that our technology infrastructure, such as the Australian-first GigCity Network is providing businesses and specialists with affordable one gigabit connections with speeds up to 10 gigabits per second. It’s making the city a great place for creative enterprises in the software, app development, VFX, VR space to achieve their works efficiently and competitively.

Our geographic location is also advantageous, as we’re ideally located to service markets such as South East Asia, China, India and Japan, all of which are growing technology markets.

Keen to learn more? Brand South Australia is hosting an industry briefing on creative industries on Wednesday, March 6, at MOD. Guests will hear from the Minister for Industry and Skills, David Pisoni, founder and managing director of Convergen and Jumpgate VR, Anton Andreacchio, and VFX supervisor at Resin, Grant Lovering. For more info and to book tickets click here.

Industry in focus: Creative Industries

Throughout the month of March, the state’s creative industries will be explored as part of I Choose SA.

South Australia is home to a thriving ecosystem of creative businesses and specialists who are delivering world-class works VFX, TV and film production, app development and the VR space. Read more creative industries stories here.

Visit I Choose SA to meet the people building business and industry in SA, and to find out how your choices make a difference to our state.

[logooos_saved id=”13411″]

[logooos_saved id=”36524″]

Homegrown VFX companies striking gold in film boost

Adelaide’s largest visual effects companies are seeing a surge in work on major Hollywood and Australian films as the state’s new 10% rebate kicks in.

Rising Sun Pictures (RSP) and Kojo have both recorded their highest growth year as the rebate for post production, digital and visual effects comes on top of the Federal Government’s existing 30% rebate.

It has led to Rising Sun Pictures establishing an entire new floor space at its Pulteney Street studio, with managing director and joint founder Tony Clark saying the studio is building on its busiest time in a 20-year history.

The space would house a projected 60 to 80 new staff as South Australia strengthens its global reputation and draws more work away from countries like rebate-rich Canada.

Hollywood blockbuster Thor launches in the theatre.

“In the past year we’ve achieved $22.7m in revenue, when you think about it over its 20 years, the company has probably contributed more than $250m to the state’s economy,” he says.

“The money flows directly from RSP staff into the economy, creating jobs for baristas, hairdressers, in schools or in housing.”

The highly regarded studio has led the way for SA, working on Hollywood blockbusters like Thor: Ragnarok and Gravity, and its current work was expected to see staff numbers peak as high as 280 by the end of 2018.

This includes work on the next Predator and the next X-Men films, along with Dumbo for Disney, directed by Tim Burton.

Rising Sun has also just finished its first major project for a Chinese film production, a fantasy adventure called Animal World that has secured a distribution deal with Netflix.

The Rising Sun crew.

Tony says he believes growth is also being spurred by the steady rise in film production in the US, Europe, Australia and China, triggering parallel demand for ever-more spectacular visual effects.

Earlier this year, another major development for the local industry was announced with global entertainment giant Technicolor saying it would open a $24m visual effects studio in Adelaide.

Its chief executive Fred Rose predicted the studio Mill Film could generate 500 new jobs in SA during the next five years.

Tony welcomes the news, saying building SA as a hub for the industry means it will attract a greater pool of talent – but means existing businesses must prepare for a more competitive labour market.

In a move to ensure more creative talent keeps appearing in the local jobs pipeline, Rising Sun Pictures has expanded its education program operating in partnership with the University of South Australia.

A new undergraduate course in visual effects skills was added to the offering and the Graduate Certificate program expanded.

The company also continues to search globally for talent, recently hiring veteran visual effects supervisor Tom Wood, who earned a 2016 Oscar nomination for his work on Mad Max: Fury Road.

At Kojo in Norwood, chief executive Dale Roberts is also feeling optimistic saying the creative services company’s film and TV section of the business “had its biggest year in history”.

Creative agency Kojo has experienced a surge in the number of project it’s taken on in the past year.

“In the past 12 months we’ve done a record number of projects, I think six, in a good year we would usually do three,” he says.

Dale says the new government rebate has certainly helped trigger more international work.

The team has worked on American-Australian thriller film Hotel Mumbai, on Storm Boy featuring Australian and Hollywood star Geoffrey Rush and earlier this year finished a second series of Wolf Creek for Stan.

“We’re also working on a new movie starring Hilary Swank called I am Mother and a new Netflix series called Pine Gap that was shot here earlier this year,” Dale says.

“Post production and visual effects is definitely the growth area for us.

“We are really good at it here in SA, we offer a world-class product out of Adelaide and because we have a different cost structure to somewhere like Sydney or London or New York, we can offer competitive pricing.”

Australian actor John Jarratt plays notorious serial killer Ivan Milat in TV series Wolf Creek.

Kojo’s numbers have increased to 90 across four offices in Australia along with about 30 contractors, with Dale saying its two other core businesses are also staying strong.

Its advertising, marketing and communications team recently won the contract for BMW events nationally, including for famed car brand Mini.

Meanwhile, Kojo sport won the contract to operate lighting, sound and video at the new Perth’s Optus Stadium – it already has the job at Adelaide Oval – and Dale says Kojo will pursue other stadium work during the year.

Kojo also has work with AFL teams Adelaide and Port Adelaide, along with Richmond, Essendon, West Coast and Fremantle.

“We’ve had an incredible year of growth, in the past year, our overall revenue has grown 20% year on year, and staff numbers have grown 12 to 15%,” Dale adds.

Adelaide-based VFX studio Resin is also experiencing growth from the state’s burgeoning creative industries sector.

The company says it has experienced 200% growth in the past financial year.

Resin’s portfolio includes the highly anticipated remake of SA classic, Storm Boy, as well as film Hotel Mumbai, which is set to open the Adelaide Film Festival in October.

The company is also currently working on the first ever Netflix original Australian produced series, Tidelands.

Visit I Choose SA to meet the people building business and industry in SA, and to find out how your choices make a difference to our state.

[logooos_saved id=”13411″]