Adelaide fosters support for homegrown writing talents

Globally recognised writers are calling South Australia home with an impressive line up of festivals, poetry nights and master classes supporting the craft.

As the high profile Adelaide Writers’ Week draws some of the world’s leading talents to the city in March, Writers SA will play its part in helping share direct insights with the state’s own authors.

It will host master classes with five leading writers appearing during the week including Danish crime writer Mads Peder Nordbo and acclaimed American novelist Rebecca Makkai.

Centre director Jessica Alice, who has previously been program manager of Melbourne Writers’ Festival and director of the National Young Writers’ Festival, says there’s strong support for local talent.

Adelaide Writers’ Week is on March 2–7 in the Pioneer Womens’ Memorial Gardens.

“We want Adelaide and SA to be a place where writers can live and work, everything we do is about employing people as writers, providing pathways to the publishing industry and creating skills they need to sustain their careers,” she says.

The state is already home to well-known names including Hannah Kent whose first novel, the international bestseller and multiple award-winning Burial Rites, was translated into 30 languages.

Then there’s other award winning authors like Mem Fox, Peter Goldsworthy, Eva Hornung, Brian Castro, Anna Goldsworthy, playwright Andrew Bovell and Nick Jose – while South African-born Nobel Laureate John Coetzee has made Adelaide his home since 2002.

Sean Williams, who is appearing at the upcoming Writers’ Week is a bestselling author of more than 100 short stories and 50 award-winning books with his latest solo series Twinmaker, a near-future thriller for young adults.

Book lovers can indulge in six days of literature talks, author meets and story readings.

He and Garth Nix co-authored Have Sword, Will Travel and Troubletwisters, a fantasy for middle grade readers, and in 2014, they co-authored the third novel in the New York Times bestselling Spirit Animals series, Blood Ties.

Jessica Alice from Writers SA says poetry is another growing genre with SA spoken-word poetry a thriving underground art form gaining traction through events like the monthly poetry and open mic night Soul Lounge, and a monthly poetry reading series at the Wheatsheaf Hotel called No Wave.

She says poets received welcome inspiration from SA Aboriginal poet Ali Cobby Eckermann when she won the prestigious $200,000 American Windham Campbell prize.

“She is now known internationally as this huge poet and contributes much to SA,” Alice says. “There’s also a new poetry publisher in SA, Jill Jones who is one of Australia’s finest poets and works at the University of Adelaide and Alison Flett, who are now promoting Australian and SA poets to the world through Little Windows Press.

“Romance is big in SA, there’s a very strong Romance Writers of Australia group and SA has a particularly strong contingent.”

SA author and poet Molly Murn. Photo by Jula Bulire, Adelaide Festival.

Among their ranks, Fiona McIntosh, author of The Chocolate Tin, The Tailor’s Girl and Tapestry, and Trish Morey who has sold thirty titles to Harlequin with sales in excess of six million globally, her books printed in more than 30 languages worldwide.

Jessica, who has been at the helm of Writers SA with its more than 850 members for eight months, says “there’s so much going on at a grassroots level” from a flourishing network of book groups to organisations like the Salisbury City Council running its own writers’ festival.

Guildhouse and Country Arts SA are all “nurturing local talent” while libraries host regular readings and author appearances.

Director of Australia’s largest free literary festival, Adelaide Writers’ Week, Jo Dyer says Adelaide’s livability makes it an attractive place to be a writer, with several successful SA authors appearing at 2019 Writers’ Week (March 2–7).

They include James Bradley, who is now based in NSW and wrote the dystopian page-turner The Change Trilogy, and author Phil Cummings, who had three books recognised in the Children’s Book Council of Australia awards for 2018.

Adelaide Writers’ Week director Jo Dyer says Adelaide’s livability makes it an attractive place to become an author.

There’s also internationally published illustrator and author Andrew Joyner whose books include The Terrible Plop, written by Ursula Dubosarsky (shortlisted for the CBCA awards and the Prime Minister’s Literary Awards), and the Boris series.

Local author and poet Molly Murn’s debut novel is Heart of the Grass Tree, Penguin Random House 2019 – she holds a Bachelor of Dance, a Masters in Creative Arts, and is currently a PhD candidate in creative writing at Flinders University.

“It’s worth noting that a number of noted SA writers published new books in 2017/early 2018 and so featured in the 2018 festival,” Jo says.

“We look forward to featuring their next books in future festivals.”

They included Jennifer Mills (Dyschronia, Jan 2018), Rebecca Clarkson (Barking Dogs, Feb 2017), Eva Hornung (The Last Garden, May 2017), Cath McKinnon, now based in NSW, (Storyland, Mar 2017) and Maggie Beer (Maggie’s Recipe for Life, Oct 2017).

Visit I Choose SA to meet the people building business and industry in SA, and to find out how your choices make a difference to our state.

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Rich talent and education at the heart of our musical city

Adelaide is home to an experienced pool of individuals working on major world-class arts and music festivals, according to the state’s music industry body.

Music SA’s general manager Lisa Bishop says the live music industry also offers many opportunities with boutique music festivals and club nights contributing to a “thriving sector”.

“Our thriving venue-based live music sector offers jobs ranging from, but not limited to, promoters, bookers, merchandisers, sound engineers, tour managers and publicists,” she says.

South Australia is home to a number of major annual music events and festivals including the upcoming Adelaide Fringe (February 15–March 17), WOMADelaide (February 8–11), Superloop Adelaide 500 concerts (February 28–March 3), as well as smaller boutique events such as St Jerome’s Laneway Festival, Handpicked Festival, Stonecutters Festival and Umbrella Festival.

But SA’s music industry not only holds opportunities in industry-based roles – but also jobs in the spotlight. Maggie Collins is the brains behind Brisbane’s BIGSOUND, one of the biggest events on the Aussie music calendar. She says Adelaide is brimming with musical talent.

St. Jerome’s Laneway Festival. Photo: SATC.

“The talent per capita is one of the stand-out elements that comes to mind of the SA music industry,” she says. “It’s inspiring to watch from afar that SA has great quality workers and artist representatives who are lovely to work with on any project.”

Adelaide was designated as Australia’s first and only City of Music in 2015, becoming a member of the UNESCO Creative Cities Network (UCCN). The network was created in 2004 and currently promotes 116 cities that have identified creativity as a strategic factor for sustainable urban development.

Director of the UNSECO Adelaide office, Rebecca Pearce, says Adelaide was recognised as a City of Music because creativity, the arts and music are woven into the city’s fabric and are central to the state’s development.

“It not only looks at our extensive history, but also how far we can grow our urban culture,” she says.

Adelaide has birthed a number of hugely successful talents, including international pop sensation Sia, hip hop trio Hilltop Hoods, pop singer Guy Sebastian, opera’s Greta Bradman, rock legends Cold Chisel, ’90s rock group The Superjesus, and rap queen Tkay Maidza, all of which have established international fan bases.

Adelaide rap queen Tkay Maidza has gone on to achieve massive success.

SA is also known as the festival state, hosting internationally renowned four-day world music festival WOMADelaide, which attracts attendances beyond 86,000, almost half of which travel from outside the state.

The Adelaide Cabaret Festival is the biggest cabaret festival in the world, while the Adelaide Guitar Festival is the most significant of its kind in the southern hemisphere. Adelaide Fringe, Adelaide Festival of Arts and OzAsia all include strong music programs, while our city is also home to the oldest tertiary school in Australia, the Elder Conservatorium founded in 1883.

Music also plays a part in our youth’s future learning, with the State Government throwing its support behind the Music Education Strategy. According to the strategy, music education helps build confidence, promote creativity and assist students to develop emotional and behavioural awareness. Musically trained children perform better and use language more effectively and earlier, it says.

Music SA’s Lisa Bishop says a number of education institutions exist in Adelaide, including the Sia Fuller Institute, SAE Institute, Fresh 92.7 radio station and Music SA itself. Each run a variety of music courses, with Musica Viva – Australia’s oldest independent performing arts organisation – and the Adelaide Symphony Orchestra also running workshops.

“There are networking opportunities at free public workshops run by Music SA, Northern Sound System and local councils,” she says. “The Music Development Office also runs a grant program to help people collaborate with other songwriters, as well as set up their own mini music festival or event.”

Triple J breakfast radio presenter Liam Stapleton begun his radio career as a teenager at Fresh 92.7 in Adelaide. He says the city’s community radio sector was a launching pad for him to hone his skills and build on-air experience.

“Without volunteering in community radio, I don’t think I’d be working in radio,” Liam says. “It gave me experience and stacks of time on-air to hone my craft, my craft of talking. It’s harder than it looks.”

Visit I Choose SA to meet the people building business and industry in SA, and to find out how your choices make a difference to our state.

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OzAsia Festival program lands with record number of events

Disco dancing Korean grandmothers, acrobatic Shaolin monks and a group of millennial girls in a ‘fishbowl dormitory’ are among highlights of the 2018 OzAsia Festival program launched this week.

The 12th annual OzAsia Festival, Australia’s only international festival celebrating contemporary art from Asia, will feature five world premieres and 20 Australian premieres from October 25 – November 11.

OzAsia Festival director Joseph Mitchell says the level of talent and exclusivity in the event was a testament to Adelaide as the festival capital of Australia.

“I think it’s just another example of Adelaide being much more ahead of the game, innovative and aware of the role and responsibility of art and culture,” says Joseph, who moved in 2015 to Adelaide from Toronto, Canada, to take on the director’s role.

“I’ve always felt that South Australia has been a bit more innovative and leading the way.”

A record number of 60 events will unfold at various venues, featuring works from 817 artists from countries including Japan, Singapore, China, India, Malaysia, Korea, The Philippines, Hong Kong and Indonesia.

Hundreds of SA and interstate artists will also be involved, while the event organisers are hoping for visitor attendances to hit a record 200,000 people.

A scene from Here is the message you asked for… don’t tell anyone else 😉

Joseph says one of the most appealing aspects of OzAsia is the artists’ ability to create truly unique projects that set apart from theatre traditions.

One of the highlight performances is Sun Xiaoxing’s Here is the message you asked for… don’t tell anyone else ;), featuring a group of millennial girls in a transparent bedroom set.

Audience members can communicate on their mobile phones with the performers through popular Chinese social media app WeChat.

“The audience can use WeChat and interact with these girls who are essentially living their lives in their bedrooms, they’re playing computer games, using social media, drinking Coca-Cola, dressing up in cosplay and living their own identity,” Joseph says.

“They don’t talk to you, there’s no script and there’s no narrative, you watch this fishbowl performance installation which has live music … and the only way you can get a grasp on it is to communicate through WeChat.

“It completely rewrites the traditional theatre experience. It’s a great example of what OzAsia is.”

Dancing Grandmothers. Photo by Eunji Park.

Prolific Korean choreographer Eun-Me Ahn’s Dancing Grandmothers is another highlight, featuring real life Korean grandmothers grooving under disco balls.

Eun-Me Ahn travelled her native country to meet the everyday women who founded modern Korea and to film them dancing in their villages.

Along with a screening of the video, a small group of the grandmothers themselves will hit the stage of Adelaide’s Dunstan Playhouse.

Other inspiring pieces include award-winning choreographer Sidi Larbi Cherkaoui and his masterpiece Sutra.

The critically acclaimed acrobatic piece features Cherkaoui and 19 Shaolin monks.

The festival’s most highly attended event, is the Moon Lantern Parade on October 27 featuring a parade of 40 large handmade lanterns including a 40m-long Hong Kong dragon.

OzAsia Festival artistic director Joseph Mitchell.

Visitors can also eat their way around Asia at the Lucky Dumpling Market on the Adelaide Riverbank lawn every night except Mondays.

Orginally from Newcastle, Joseph came to Adelaide after living in Toronto, Canada, where he lead multi-arts event the Luminato Festival.

He was also the executive producer of the Brisbane Festival.

“The Brisbane Festival and OzAsia ran at the same time so we’d shared work before and that’s when I became aware of OzAsia,” he says.

“I thought it was just so refreshingly different.

“There is no other festival in this country that operates annual and focusses on contemporary art and culture in Asia.”

Check out the full program here.

Sidi Larbi Cherkaoui’s masterpiece Sutra.

Visit I Choose SA to meet the people building business and industry in SA, and to find out how your choices make a difference to our state.

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SALT Festival makes a splash on Eyre Peninsula

Thousands of people are expected to descend on the Eyre Peninsula to indulge in a collection of arts and cultural events next month when the 2018 SALT Festival makes its second splash.

Colour and creativity will be reignited across southern Eyre Peninsula towns, including Coffin Bay, Tumby Bay and Port Lincoln, from April 20–29 following a successful first edition in 2017.

SALT organisers say the 2018 festival, featuring more than 200 events, has attracted interest from international publication GQ France magazine with the event potentially appearing in an upcoming edition.

Sculptors Marijan Bekic, front, and Silvio Apponyi at the 2017 SALT Festival. PHOTO: Port Lincoln Times.

SA continues to build its relationship with France since French company Naval (formerly DCNS) was awarded the Future Submarines Contract to be carried out in Adelaide.

Adelaide also joins the French city of Bordeaux in being an internationally recognised wine region and member of the exclusive Great Wine Capitals Network.

The SALT Festival is hosted by volunteer group Southern Eyre Arts (SEA).

SEA team member Andrea Broadfoot says last year’s festival attracted more than 6500 people to the region, meaning visitors could enjoy the selection of world-class tourism offerings on offer along the peninsula.

“People are seeing the Eyre Peninsula as a world class destination,” she says.

“Nowhere else but the Eyre Peninsula can you enjoy such premium, fresh seafood, eat freshly shucked oysters on the beach and swim with sharks.”

The theme for the 2018 SALT Festival is ‘Anything is Possible’.

Feature events include a one-night only performance by internationally acclaimed jazz musician James Morrison and his Quartet at Port Lincoln’s Nautilus Art Centre.

Internationally renowned jazz musician James Morrison will fly to Port Lincoln in his personal plane.

Australian surf-roots-reggae band The Beautiful Girls will share their coastal sounds while Adelaide indie/folk artist Timberwolf and Port Lincoln’s own Luke Morris will also engage audiences.

Internationally renowned photographer Che Chorley will present Land Sea You Me in an immersive exhibition capturing the sights, sounds and images of a 5000km bike ride across SA.

Colour Tumby Committee – a sub group led by the town’s progress association – will present the inaugural Street Art Festival as a feature event within SALT.

Former climate change advisor to the Federal Government, Professor Ross Garnaut, will host the In the Zone Energy Futures Summit to explore climate change and renewable energy opportunities for the region.

A number of Australian and international comedians will also take to the stage including Aussie Jon Bennett and Toronto-based Amy Cunningham.

Luke Morris will be back in his hometown to perform at SALT.

The inaugural SALT Festival “far exceeded the expectations of the organisers” when a target of 35 events swelled to 100 events in 27 venues across seven towns.

“Events sold out, art sold out, people filled the streets and the venues, all expressing how inspired they felt by the contributions in the program,” says SEA chairperson Jack Ritchie.

“We are inviting visitors from Adelaide to enjoy a road trip or a short plane ride to attend 10 days of salty goodness.

“Over 900,000 people living in Adelaide haven’t visited Eyre Peninsula, and this is their chance to be part of something amazing in awesome April.”

The 2017 festival attracted recognition after being nominated for a Ruby Arts Award in 2017 for best community or regional impact under $100,000.

The Ruby Awards is an arts awards program celebrating the best of SA’s arts and cultural sector.

The SALT Festival website, by Port Lincoln creative agency Momentum Design, was also recognised as one of the world’s best websites in 2017 after taking out a CDAA International Web Design award.

For more information on the SALT Festival click here.

Header image courtesy of SA Rips.

Check out the below clip of the SALT Festival by Mark Thomas of Missing Link Media.

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