Local talent behind SA-made film Hotel Mumbai

South Australian-made film Hotel Mumbai has hit cinemas across Australia and overseas, based on incredible events that unfolded at the Taj Mahal Palace Hotel in Mumbai during deadly terror attacks in 2008.

Hotel Mumbai is SA director Anthony Maras’ debut feature, filmed partially at Adelaide Studios within the SA Film Corporation, as well as on location in India, in 2016.

The film is based on the real-life events that unfolded at the five-star Taj Mahal Palace Hotel in November 2008, when gunmen stormed the building in a string of attacks carried out across the city over three days, killing 164 people.

Filming started in 2016, with Adelaide Studios transformed to replicate the opulent interior of the luxurious palace hotel, where heroic staff made sacrifices to save their guests.

On set at Adelaide Studios during the filming of Hotel Mumbai.

Anthony Maras, who is well-known for his 2011 short film The Palace, spent a year researching and interviewing survivors and co-wrote the film alongside John Collee. The film stars Dev Patel, Armie Hammer, Nazanin Boniadi, Jason Isaacs, and Adelaide actor Tilda Cobham-Hervey and received a standing ovation at its world premiere at the Toronto International Film Festival last year before its Australian premiere at the Adelaide Film Festival.

Julie Ryan who heads Adelaide production company Cyan Films was one of six producers on Hotel Mumbai and says about 230 people were employed during filming and post production, with 66% of them from SA.

Although the Glenside film precinct is a world away from the Taj Mahal Palace Hotel, Julie says the set was adaptable in replicating the hotel’s interior.

Director Anthony Maras, centre, on set.

“Given the Adelaide Studios were built in the late 1800s – and the Taj was early 1900s – it meant that some of the architecture could match and we could build the sets and utilise things like the window frames and high ceilings,” she says.

“The studios and tenants were extremely adaptable and helpful, particularly the tenants on the second floor who allowed us to film in their corridors outside their offices.

“There are moments in the film where you come out of a corridor in Adelaide and literally walk into a set in Mumbai – and that’s the genius of (production designer) Steven Jones-Evans.”

Completing post-production and assisting in the execution of the seamless transitions between interior scenes in Adelaide and exterior scenes in India, was local company KOJO.

Dev Patel plays Arjun, a brave waiter at the hotel.

KOJO’s post production and VFX team was engaged in post-supervision, picture and sound services and VFX on the film, taking on additional staff to work on the project.

Executive director of KOJO’s post production/visual effects department, Marty Pepper, was Hotel Mumbai’s VFX supervisor and DI colourist.

Marty, whose portfolio of work includes Storm Boy, I Am Mother, and soon-to-be-released Top End Wedding met director Anthony Maras back in 2005 when working on Wolf Creek.

Actor Angus McLaren plays Eddie.

He describes Hotel Mumbai as an “all-consuming project” after being involved from pre-production stages and travelling to India three times during filming.

“It was a very holistic thing, I feel as if I almost lived it (the film) for those years,” he says. “There is an incredible sense of respect in the film (for victims and survivors) and that was led by Anthony.”

KOJO worked on 750 shots in the film, with the company’s entire post-production and VFX team involved “in some shape or form”.

“When we shot at Adelaide Studios the art department was quite incredible in turning the space into a luxurious hotel, and we played a part in how that was all integrated into the scenes in India. Part of the VFX was making sure the light and colour transitioned seamlessly,” Marty says.

Tilda Cobham-Hervey on set.

Hotel Mumbai is one of a string of films recently made in SA, a state which producer Julie Ryan and KOJO’s Marty Pepper both say punches above its weight in the film industry.

Julie notes the representation of SA films at this year’s Sundance Film Festival, with four of the six Australian films screened at the event having a connection to SA – I Am Mother, Animals, The Nightingale and Top End Wedding.

“When you look at the recent Sundance Film Festival and add up how many of the Australian films had connections to SA it really does show that we are punching above our weight,” she adds.

Industry in focus: Creative Industries

Throughout the month of March, the state’s creative industries will be explored as part of I Choose SA.

South Australia is home to a thriving ecosystem of creative businesses and specialists who are delivering world-class works VFX, TV and film production, app development and the VR space. Read more creative industries stories here.

Visit I Choose SA to meet the people building business and industry in SA, and to find out how your choices make a difference to our state.

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Adelaide’s Floodlight to illuminate interstate

Remember that television commercial showing a couple on the couch being transported to the Bahamas? Well, the Adelaide creative team behind its making is now doing some teleporting of its own.

Video and film production company Floodlight Media is opening a new office in Melbourne later this month as its staff numbers swell to meet ongoing demand.

“We found Adelaide an amazing launching pad for our business and that it continues to be an ideal place for an head office,” co-founder and creative director Cameron Roberts says.

“The city punches well above its weight in the big names it attracts to the state, and being here meant we were able to prove ourselves on a less competitive stage. It wasn’t long before clients were asking us to fly to the other states to create their content for them.”

The team started in 2015 and specialises in advertising, creative production, corporate video, online live streaming and event coverage, and Cameron says being based in the studios run by the South Australian Film Corporation in Glenside is a great fit.

“Adelaide Studios is a fantastic community and it’s great to be rubbing shoulders with the people based here,” he says.

The Floodlight Media team in its early days when the four team members once worked in close proximity. Floodlight has come a long way since then, expanding interstate.

Many among Floodlight’s clients are now from the global renewable sector including Tesla, Siemens, AGL and Neoen – after the company, established by Cameron and his brother David Roberts, also recently bought another business specialising in the sector, New Era Media.

There are many other sectors they cover including recently providing the live streaming for the Lifesaving World Championships in Glenelg and producing its television content to distribute worldwide.Then there are a number of festival nominated short films including Fisheries Cops featuring Triple J’s breakfast co-hosts Ben and Liam.

Floodlight Media started out when Cameron finished studying film and television at TAFE and joined forces with his brother David – who has 10 years experience in the film industry including working on the popular Offspring television series, 100 Bloody Acres, Sam Fox Extreme Adventures and Red Dog.

When the first projects came up Cameron says neither thought Adelaide was capable of sustaining a full-time business in their field. But they were pleasantly surprised, work snowballed, and in 2015, David met Justin Counihan at the Australian International Pedal Prix.

Floodlight Media in action on an Adelaide Studios green screen shoot of a People’s Choice Credit Union commercial via KWP!

They recognised Justin’s important background in project management, he was installed as managing director and the company was formed. It did not take long for the company to quickly expand, moving from working in a spare room in a share house in the Adelaide Hills to an office at the Adelaide Film Studios hub.

In fact, the team has doubled every year for the last three in a row.

“We now have about 15 staff, we quickly grew out of our first small office and we’re now onto our third at the studios,” Cameron says.

The largest sector of work is in commercial videos for large organisations, and then there are TVCs, including that People’s Choice Credit Union commercial mentioned earlier.

Floodlight was approached by the Adelaide creative company kwp! to help with the credit union advertisement where two people sitting on a couch are transported to a renovated home and the Bahamas by swiping their iPad.

“That was a great project, we landed the VFX work, the backgrounds are completely built in a visual effects 3D space and animated,” Cameron says.

Floodlight Media (jokingly) tries to get into the Melbourne headspace by perfecting avocado lattes ahead of the move. From left, Trent Ninos (VFX), Emily Brockbank (camera operator), Marko Leosk (creative), and Holly Howard (head of production).

Other projects include ongoing work with UniSA, and working with JCDecaux to create a series of promotional videos for the 2017 Toyota AFL finals series.

JCDecaux developed live-link billboards, through which AFL stars could interact with fans, giving them the chance to win their way to the 2017 finals series. The campaign has been viewed over 500,000 times on social media with thousands of shares and comments. There’s also been work with Bendigo Bank, Australian Fashion Labels and the RAA.

“Given the business initially grew entirely from word of mouth, it was clear to us that our SA clients really appreciated our passion, quality and commitment to their product,” photography director David says.

Opening the Melbourne office on March 25 is about expanding the client base.

“We were surprised to find that our approach to film production was in high demand in Melbourne and we increasingly found clients willing to fly us over despite the fact the city has a lot of great production companies,” managing director Justin says.

“So it felt like the natural next step to officially set up shop there to be supported by our Adelaide head office.”

Industry in focus: Creative Industries

Throughout the month of March, the state’s creative industries will be explored as part of I Choose SA.

South Australia is home to a thriving ecosystem of creative businesses and specialists who are delivering world-class works VFX, TV and film production, app development and the VR space. Read more creative industries stories here.

Visit I Choose SA to meet the people building business and industry in SA, and to find out how your choices make a difference to our state.

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